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The Cultural Revolution in China produced thousands of powerful social and political posters exhorting the Chinese people in a sweeping transformation of Chinese society. These brilliantly colorful images of cultural celebration, industrial development, agricultural production, and revolutionary heroes were displayed in homes and public spaces across the country. Chinese Posters collects more than 150 of the most striking of these posters and offers background on their social and political context and production. An essay by Ann Tompkins provides a personal account of living in Beijing during the Cultural Revolution.
- Sales Rank: #447889 in Books
- Brand: Cushing, Lincoln/ Tompkins, Ann
- Published on: 2007-09-27
- Original language: English
- Number of items: 1
- Dimensions: 10.50" h x .50" w x 8.25" l, 1.37 pounds
- Binding: Paperback
- 144 pages
About the Author
Lincoln Cushing is the author of Revolución: Cuban Poster Art. He lives in Berkeley, California.
Ann Tompkins lived and worked in Beijing during the Cultural Revolution. She lives in Northern California.
Most helpful customer reviews
15 of 16 people found the following review helpful.
Happy and hopeful scenes of a revolution
By Zack Davisson
Say what you want about oppressive regimes, they always have the best propaganda. Art, when made to serve the purpose of convincing a population that what is going on around them is actually great and wonderful even though they are starving, produces something eerily inspiring, something that taps into a subconscious desire to believe in those in power.
This is the artwork in "Chinese Posters: Art from the Great Proletarian Cultural Revolution". These are images of a bright future, where the land is abundant and serves the will of the people, where industry is clean and progressive, bringing fair income to everyone, where everyone pulls their weight with a smile and Chairman Mao shines light on us all. The art here is joyful, optimistic and hopeful. It makes you feel good to look at it. It makes you feel bad knowing that this optimistic, hopeful future never materialized, and was followed by starvation and oppression.
But this is so much more than just a picture book. The author, Ann Tompkins collected these posters while living in China during the Cultural Revolution, a full participant in Mao's glorious dream who wanted to live and work alongside the people forging this Brave New World. Reading her introduction is a bit shocking. I expected a historical critique on the nature of propaganda, not the flip side of the coin, someone who believes in the dream and remains inspired by the message.
And through her eyes, I saw these posters from a different perspective. How progressive, how revolutionary they were at the time. Here were positive images of women working in factories, firing guns and conducting scientific experiments during a time when they were expected to be house wives and mothers. Here were glorious scenes of all human beings struggling together, separated not by race, religion or gender, but bound by the brotherhood of the proletariat. The fact that it failed: is it the fault of the dream or the dreamers? This is the kind of art that makes you ask those questions.
As both an art book and a history book, "Chinese Posters" succeeds beautifully. I enjoyed it much more than I was expecting to, especially after reading the introductions and then looking at the posters in a whole new light.
3 of 3 people found the following review helpful.
An insight into Chinese propaganda
By Craig J. Brain
This was a fascinating book, and much like David Heather's volume on North Korean propaganda provides an insight into the idealized world of propaganda from a totalitarian government's perspective. The artwork is beautiful, with visions of what a Communist government's ideal Chinese society would look like - strong, committed, loyal and modern with many noble-looking stereotypes ranging from construction workers to soldiers and even peasants. A young Chairman Mao is often depicted in these pictures along with lots of modern technology and happy-looking people.
Many of these posters were published at a time when mass communication was far less effective than now, and the internet was far less widespread in China. For many people, these images of a better China, led by a strong leader towards prosperity would have been very appealing. This book has many examples and is a terrific read.
2 of 3 people found the following review helpful.
Beautiful posters, but best used to accompany other texts
By Lydia
This book is filled with beautiful propaganda posters from the communist era in China. The idyllic posters give you a glimpse at the ideology behind communism and accompanying rhetoric like "Women hold up half the sky." In these images we see farmers and factory workers glorified and men and women working alongside each other. These propaganda posters were a departure from China's previous ideal class, the scholar, who studied the classics and did not do manual labor. While we may know Mao's Communist Revolution was meant to change Chinese culture, seeing a visual representation resonates further than words alone.
Although this is a beautiful book, without the background or explanation, it's just a picture book of posters. I used this in a class where we used this book along other texts such as Fanshen and focused on China's history and culture.
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